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History & Current Issues
Before distinctions were made between "Mexican" and "American,"
there were indigenous peoples who lived in the areas that are now politically
defined as Mexico and the United States. The culture of these indigenous
peoples continues to play a role in the lives and values of many of those
who consider themselves Mexican American. There was a long tradition favoring
the Spanish side of Mexican culture over the indigenous side, but that value
system was challenged by the Chicano movement of the sixties and seventies
which emphasized and embraced the roots of pre-Columbian greatness.
According to the 1990 census, 2,519,514 people
of Mexican origin live in Los Angeles County. A few are descendants of the
original forty-four non-indigenous settlers of Nuestra Señora
la Reina de Los Angeles de Porciuncula who came from New Spain (Mexico)
in 1781. In 1821, Mexico won its independence from Spain and governed California
until the end of the Mexican-American War in 1848. At that time the Treaty
of Guadalupe Hildalgo was signed, promising the rights of citizenship and
land ownership to the Mexicans living in the territories that became part
of the United States. In reality, many rights were denied and land was confiscated.
The first wave of Mexican immigration into what had become the United
States occurred during the mid 1800's when many came as farm hands, shepherds,
cowboys, and miners. From 1910 to 1917 the second wave arrived seeking refuge
from the turmoil of the Mexican revolution. By the 1920s, Mexicans had replaced
the Chinese and Japanese as the most important source of agriculture labor
in California; Mexicans made up 70 to 90 percent of the workers on the southwestern
railroads. By 1925, Los Angeles had the largest Mexican population outside
Mexico City, which remains true today.
During the depression of the 1930's, an estimated half a million Mexican
Americans, including those whose families had been living in the U.S. for
centuries, were deported to Mexico. Most were never fully integrated into
Mexican society, and many returned when labor shortages developed during
World War II. At that time, the United States instituted the Bracero
program to encourage Mexicans to work in the fields on a seasonal basis.
In 1943, an incident later called the Zoot Suit Riots would form the
catalyst for one of our nation's worst race riots. On June 3, eleven sailors
on leave became involved in a brawl with a group of men in a predominantly
Mexican Los Angeles neighborhood. This "attack" on members of
the U. S. armed forces outraged white residents and aroused the rest of
the ship's crew stationed in Los Angeles. The next day 200 sailors hired
a fleet of taxis, circled Mexican American neighborhoods, and beat up any
Mexicans youths they could find. Many African Americans and Filipino Americans
were also attacked. Police did nothing to the sailors, and arrested the
Mexicans.
Because Mexican American teenagers at the time adopted the dress fashion
known as "drapes," resembling the zoot suits worn by young men
in Harlem, they were called "zoot-suiters," and were typecast
as hoodlums. The press claimed that the Mexican zoot-suiters were planning
retribution on the white residents, so on June 7 hundreds surged into the
streets of Los Angeles, beating and stripping off the clothes of Mexican
American youths. Other riots broke out in major cities during that summer.
A citizen's committee appointed by then Governor Earl Warren determined
that the riots were caused by police practices and inflammatory newspaper
articles. Shortly thereafter, the Los Angeles Commission on Human Rights
was established to prevent future outbreaks of hate crimes.
By 1956, 25 percent of all farm labor in the United States was Mexican
American, and most were working for subhuman wages, living in poor conditions,
and possibly suffering from exposure to dangerous pesticides. Pubic Law
78 gave them some protection and Cesar Chavez, Dolores Huerta, and other
members of the Farm Workers Union would fight for more. Today Mexican Americans
have moved into prominent positions in all areas of business, politics,
and the arts. It has certainly not been an easy or just journey.
Current Issues
Given the tremendous differences within the group known as Mexican Americans,
it is almost impossible to list all the important current issues. For many
recent immigrants, the most immediate concern is how to assimilate. For
the second generation, often the more important issue is how to maintain
a Latino identity. Many at the pinnacle of their professions struggle with
the fine points of acculturation and, in some cases, the glass ceiling of
limited advancement opportunities due to prejudice and discrimination. The
principal of Esperanza School in the Pico-Union area, for instance, struggles
with the appropriate language development program to provide for her group
of students who have arrived from Chiapas and the Yucatan and speak an indigenous
language, not Spanish. Ramon, a classroom teacher and graduate student at
Mount St. Mary's College, has just reverted to using the non-Anglicized
form of his name, now that he does not have to worry about being tracked
into non-college prep classes as he once did.
How safe is it to be Mexican American? Roberto Rodríguez has just
published his story of the police brutality he suffered as a reporter. His
only crime was to witness and photograph police attacking a defenseless
man on Whittier Boulevard in East Los Angeles in 1979. How far have we come
if court injunctions can prohibit family members living on certain blocks
in Los Angeles from gathering socially because they might be involved in
gang activities? When Proposition 187 passed in 1994, denying undocumented
workers public education and emergency medical care, many of Los Angeles'
high school youth walked out of their classes in protest. They and their
families seemed to have become "the enemy." The legality of the
proposition is still being contested.
After the last elections, the Los Angeles Times headlines bubbled
with predictions about the new strong Latino voice in politics. It is time
to analyze how to support that voice in all aspects of our society, but
most importantly in our schools where we need to teach the truth, and encourage,
rather than discourage, development of students who are honored for being
both American and Mexican.
References:
Banks, James A. Teaching Strategies for Ethnic Studies (6th
ed.). 1997. Allyn and Bacon. ISBN 0-205-18940-7.
Kanellos, Nicolás. The Hispanic Almanac From Columbus to
Corporate America. 1994. Visible Ink. ISBN 0-7876-0030-X.
Novas, Himilce. Everything You Need to Know about Latino History.
1991. Plume. ISBN 0-452-27100-2.
Pitt, Leonard and Dale Pitt. Los Angeles from A to Z: An Encyclopedia
of the City and County. 1997. University of California Press. ISBN
0-520-20274-0.
Rasmussen, Cecilia. Curbside L.A.: An Offbeat Guide to the City
of Angels from the Pages of the Los Angeles Times. 1996.The Los
Angeles Times. ISBN 1-883792-11-8.
Rodríguez, Roberto. Justice: A Question of Race.
1997. Bilingual Press. ISBN 0-927534-69-X.
Cultural Connections
The mestizaje nature of Mexican culture, that is, the intermingling of
indigenous and Hispanic traditions, has led to the inclusion of some recommendations
that might also be included on a Native American list.
Chicano Resource Center
East Los Angeles Public Library
4801 East 3rd Street
Los Angeles, CA 90022
323.263.5087
www.colapublib.org/libs/eastla/chicano.html
Operated by the Los Angeles County Public Library system, this resource
center contains an outstanding collection of materials about Mexican and
Mexican American cultures and people. Beautiful oversized art and pictorial
anthropology books, music CD's, videos, film strips, current subscriptions
to Latino magazines, and a vast clipping file compliment the nonfiction
and fiction collection that is mostly on the high school and adult level.
(Bilingual and Spanish children's books are available in the regular library
shelves adjacent to the Resource Center.)
Cultura Latina Bookstore
4125 Norse Way
Long Beach, CA 90808
310.982.1515 phone
201.982.1518 fax
www.culturalatina.com
A Latino bookstore and more! Almost any book in print about Latino culture
and experience is available here. The bookstore's newsletter reviews recent
works by Latino authors and announces readings and book signings. An art
gallery featuring Latino artists completes the cultural ambiance.
El Pueblo De Los Angeles State Historic Park
845 North Alameda Street.
Los Angeles, CA 90012
213.628.1274
www.usc.edu/isd/archives/la/historic/el_pueblo.html
This 44 acre state historic park includes the oldest building in the city,
Avila Adobe, and several
other historic buildings, as well as the open Mexican market along Olvera
Street. Free walking tours of the park are conducted on Tuesdays-Saturdays
starting at 130 Paseo de la Plaza, and all are welcome at the Sunday service
at La Placita Church. The park's Visitor Center is in the Sepulveda House
which features an interpretive display on the history and culture of the
pueblo.
Espresso Mi Cultura
5625 Hollywood Blvd.
Los Angeles, CA 90028
323.466.0481
http://espressomicultura.com/
Located in the heart of Hollywood, California, Espresso Mi Cultura Books and
Coffee is a full gourmet coffee bar, community art gallery and bookstore
featuring titles about or by Latinos/as and Latin & Indigenous America.
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
213.857.6000
www.lacma.org/
Works of art from the pre-Columbian Americans are on view in the Boone and
Pauley galleries. These galleries feature objects from the major Mesoamerican
culture areas including Olmec, Teotihauacán, Maya, and Aztec civilizations.
The chronological span ranges from 1200 B.C. to A.D.1519.
Mayan Nightclub
1038 So. Hill Street
Los Angeles, CA 90015
213.746.4287
www.clubmayan.com
Fri. and Sat. 9 p.m.-3 a.m., free salsa lessons with paid admission on Sat. 8-9 p.m.
No need to go with a dance partner. If you go early you can pick one up
at the lessons. Dancers (and spectators) of all cultures and ages join in
the fun.
Museum of Latin American Art
628 Alamitos Ave.
Long Beach, CA 90802
562.437.1689
www.molaa.com
This small museum showcases the work of Latin American artists and film
makers. Exhibits rotate, so give them a call. In the summer they run an
art camp for children ages 6-16.
Natural History Museum of Los Angeles County
900 Exposition Park
Los Angeles, CA 90007
213.744.3307
http://www.lam.mus.ca.us/
Ancient Mayan artifacts are on display in the pre-Columbian collection.
A members loan service (Th 2:30-4:30, Sa 10-1) located in the hands-on Discovery
Room allows members to borrow museum quality artifacts including the excellent
classroom study kit, "Visiones del Pueblo."
Plaza de la Raza
3540 North Mission Road
Los Angeles, CA 90031
213.223.2475
www.plazadelaraza.org
Fronting a small lake in Lincoln Park, Plaza de la Raza provides a theater,
classrooms, and office space, and serves as a cultural and educational center
for the Latino community. Call for program listings.

Plaza of Mexican Heritage-Forest Lawn Cemetery
6300 Forest Lawn Drive
Los Angeles, CA 90068
213.254.7251
Precise replicas of artifacts and sculpture are on display in the sculpture
garden adjacent to the small but informative museum in this unexpected location.
The fascinating histories of the Olmec, Zapotec, Teotihuacan, Toltec, Maya,
Aztec, Huastec and Totonac civilizations are introduced.
Self-Help Graphics & Art
3802 Cesar E. Chavez Avenue
Los Angeles, CA 90063
323.881.6444
http://www.selfhelpgraphics.com/
Self-Help Graphics & Art is
a non-profit visual arts center serving the predominantly Latino
community of Los Angeles. Artistic programming
includes printmaking and silkscreen workshops, youth art programs,
and an on-site exhibition space and store. Annual
highlights include the Dia de los Muertos (Day of the Dead) celebrations and
exhibitions in November and the annual print sale at
the end of June.
Southwest Museum
234 Museum Drive
Los Angeles, CA 90065
213.221.2164
http://www.southwestmuseum.org/
The collections of this museum represent Native American cultures from Alaska
to South America and include important collections of Mesoamerican Precolumbian
pottery and textiles as well as Hispanic folk and decorative arts.
Tia Chucha's Café Cultural
12737 Glenoaks Boulevard #22
Sylmar, Ca 91343
818.362.7060
http://www.tiachucha.com/
Where art and minds meet- For a change.
Resources include great books; workshops on the arts and
literature; spoken word, musical, and theatrical performances; an art gallery
and workspace; and a technological center to help bridge the digital divide in
our communities. Recently opened by author Luis Rodriguez, his wife, Trini and
business man-Chicano activist, Enrique Sanchez.
UCLA Fowler Museum of Cultural History
Box 951549
Los Angeles, CA 90095-1549
310.825.4361
http://www.fmch.ucla.edu
Exhibits rotate and often include Mexican emphases. Explores art and material
culture primarly from Africa, Asia, Oceania, Native, and Latin America, past
and present. It's a good idea to
get on their mailing list.
Journey
El Mercado del Este de Los Angeles
3425 East 1st Street just East of Lorena
East Los Angeles, Ca. 90063
(323) 268-3451
Easy access for the uninitiated to the Mexican community is through El Mercado
(The Market). Parking is plentiful and well-directed by signs and attendants.
Three floors make up this enclosed market, and vendors in outside stalls
sell sweets and aquas de frutas.
Some time during your visit you might want to look for the three examples
of outdoor art by José-Luis Gonzalez that decorate the exterior of
the market. In the rear of the parking lot is a mural portrait of Edward
James Olmos, commissioned for the cover of Time magazine on July
11,1988, the year the Hollywood film Stand and Deliver was released.
On the east side of the market, Mr. Gonzalez completed a tile mosaic of
a Mayan warrior reaching toward the sun, and on the side facing Lorena is
a glazed ceramic tile Mayan Rain God in bas-relief .
Entering the market on the bottom floor, you will enjoy stalls with Mexican
music, clothing, hats, shoes, ceramics, and botanicas as well as
a travel agency and electronics and pager booths. Going up to the middle
floor, you will find more of the same, but food enters the picture. A grocery
store offers a large selection of Mexican spices and corn husks as well
as specialty items such as churro mix. Adjacent to the grocery store
are long counters of seafood and meat where one can buy fish, octopus, and
chorizo, the spicy Mexican sausage. Shoppers can take a break here
or get a bite to eat at one of the many small restaurants that open into
the market.
The top floor is where one goes to dine with friends and family and hear
the mariachi bands that play every day until 1:30 a.m. Posters around the
market advertise which band is playing at which restaurant. Since the restaurants
all open to the center of the market, this floor as well as the floors below
are filled with festive music.
If you care to wander a bit outside the market, across 1st Street is
El Centavtio, a well-stocked party supply and piñata store.
Continuing east on 1st Street is Tamales Lilianas at 3448 1st , (213.780.0829),
an excellent place to pick up your holiday tamales. They are open every
day from 8 a.m. to 10 p.m.
Journey Directions:
From the 10 Freeway, exit South on Soto Street. Continue for a couple of
miles and turn left on 1st Street. Once you cross Lorena, you will see signs
directing you to turn left into a parking lot before the market (El Mercado).
Along the way you might notice some hints of the neighborhood's past, including
the Tenriko Church dating from the World War II years before the Japanese
Americans were removed from this area to be placed in Internment Camps.
Keep your eyes open for murals and colorful decorations in this neighborhood
such as the three murals on the corner of Soto and Cesar Chavez across from
King Taco. King Taco is not a bad spot either, unless you hate delicious
tacos and other things muy sabroso. |