Note:
Saturday Classes meet: September 12, September 26, October 17, November 7, November 12 and December 12
Sunday Classes meet: September 13, September 27, October 18, November 8, November 22 and December 13
For as long as mankind has studied the past, the question has been asked: do great men and women create the events that change society, or do critical events bring forth great men and women to meet the challenges of change? We will study the lives of six agents of change in history for clues to the elusive answer: Hildegard of Bingen, Charles Darwin, Mahatma Ghandi, Ho Chi Minh, Rev Martin Luther King, Jr., and Golda Meir.(syllabus)
tba
Popular Culture is full of intimations that secret societies run the world. What is the historical evidence about secret societies in history? This course will overview the “perennial philosophy” of secret knowledge and its manifestations in history, including ancient mysteries, alchemy, Templars, Rosicrucians, Freemasonry and contemporary groups. Join us in this fascinating journey. (syllabus)
Anthropologist Clifford Geertz has argued that culture is simply the ensemble of stories we tell ourselves about ourselves. We will investigate and interpret the stories that we construct – about ourselves and about “the Other” – by exploring literary works that revolve around figures of dread: the vampire, the specter, the witch. We will focus on various time periods (but will relate each of these to our contemporary experiences) and various locations (with emphasis on England/Ireland, various aspects of the Caribbean/West Indies and Africa, and the United States).
(syllabus)
In this course we'll explore various responses writers have offered to the events on September 11, 2001. We'll read both fiction and non-fiction from a number of perspectives. We will pay special attention to the aims, rules, and rhetoric of narrative. In other words, we'll watch for what the authors are trying to do as they tell their stories about this highly emotional event. (syllabus)
This course provides a brief thematic overview of American short fiction. We will address six major themes: Regionalism, Immigration, Women, Science, Nature and Experimental Fiction, and for each, we will examine two primary texts -- one classical, one contemporary and investigate how author separated by multiple generations grapple with the same issues. (syllabus) (book list)
Whether it is a screenplay on the order of Robert Towne's Chinatown, or a novel, short story or graphic novel, you will spend a semester crafting your own masterpiece in the noir tradition. We will study the components that go into the genre: the twisted motives, back alleys, personalities and relationships, plus the twisted turns with shadows, rain, shiny cars, sequins and black nylon stockings... Easy field trips to real haunts nearby. (syllabus)
Individuals with undergraduate degrees are eligible to take Humanities courses on a per course basis by permission of the Humanities Program Director. For more information, contact Graduate Admissions at 213-477-2800 or the Humanities Program Office at 213-477-2927.